Paint Color Mixing Guide

Enter a target color and see how to mix it from primary acrylic or watercolor paints, with approximate ratios.

By Marshkalk

Mixes colors in subtractive (pigment) model – similar to mixing physical paints. Each color can have a weight (proportion) to reflect how much of it is used.

UK artist context: RYB mixing and paint brands

Traditional colour mixing in painting uses the RYB (Red-Yellow-Blue) model, which is the basis taught in UK schools from GCSE Art through A-Level and beyond. UK brands such as Winsor and Newton and Daler-Rowney dominate the artist supply market, and their paint ranges are organised by pigment codes (e.g., PB29 for Ultramarine Blue). This tool simulates subtractive mixing in the RYB model , useful for planning mixes before opening a tube.

For print work, mixing shifts to CMYK (Cyan-Magenta-Yellow-Black), which is the standard in UK commercial printing. The digital screen uses RGB (additive mixing). These three models are fundamentally different: a mix that looks good on screen will not translate directly to paint or print without conversion.

RYB primary and secondary colour reference

MixResult
Red + YellowOrange
Yellow + BlueGreen
Blue + RedPurple/Violet
Red + Yellow + BlueBrown/grey (neutral)
Any colour + WhiteTint (lighter)
Any colour + BlackShade (darker)

Limits of digital colour mixing simulation

This tool simulates expected results based on RYB colour theory, not actual pigment chemistry. Real paint mixing depends on pigment concentration, transparency, and granulation , a mix of Cadmium Red and Prussian Blue will behave differently from Alizarin Crimson and Cerulean Blue, even if both pairs are nominally "red + blue". Tube black (e.g., Ivory Black) tends to dull colours; mixing complementaries (Ultramarine Blue and Burnt Sienna) produces richer, more luminous darks. Test your intended mix on paper before applying it to finished work.

Workflow: from digital preview to real paint

Use this tool to plan proportions and identify expected mixed hue, then verify on a test swatch. For screen-to-print colour work, convert your target HEX to CMYK through your print supplier's profile. To build a palette around your mixed colour, use the Colour Palette Generator to generate tints and complementary hues from the result.